[et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” background_color=”#000000″ custom_padding=”50px||4px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” width=”100%” module_alignment=”center” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”<\/p>\n
PROJETOS DE PESQUISA<\/p>\n
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PROJETOS DE PESQUISA<\/p>\n
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PROJETOS DE PESQUISA<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” background_color=”#000000″ custom_padding=”30px||4px|||” hover_enabled=”0″ global_colors_info=”{}” custom_margin_last_edited=”on|phone” custom_padding_last_edited=”on|phone” custom_padding_phone=”0px||0px||false|false” sticky_enabled=”0″ custom_padding_tablet=”30px||4px|||”][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” width=”100%” module_alignment=”center” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”<\/p>\n
\u2500\u2500\u2500\u2500\u2500 em andamento<\/p>\n
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\u2500\u2500\u2500\u2500\u2500 em andamento<\/p>\n
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\u2500\u2500\u2500\u2500\u2500\u00a0 \u00a0em andamento<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” background_color=”#000000″ min_height=”2266.5px” custom_margin=”||30px|||” custom_padding=”50px||4px|||” hover_enabled=”0″ border_width_bottom=”1px” border_color_bottom=”#FFFFFF” border_style_bottom=”outset” global_colors_info=”{}” custom_margin_last_edited=”on|phone” custom_padding_last_edited=”on|phone” custom_margin_phone=”-30px||||false|false” custom_padding_phone=”0px||||false|false” sticky_enabled=”0″ custom_margin_tablet=”||30px|||” custom_padding_tablet=”50px||4px|||”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” width=”100%” module_alignment=”center” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text content_tablet=”<\/p>\n
SITE<\/p>\n
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SITE<\/p>\n
” content_last_edited=”on|desktop” _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|600|||||||” text_text_color=”#000000″ text_font_size=”22px” background_color=”#CE3809″ width=”100%” max_width=”23%” max_width_tablet=”23%” max_width_phone=”35%” max_width_last_edited=”on|phone” module_alignment=”left” custom_margin=”|18px|60px|||” custom_margin_tablet=”|18px|60px|||” custom_margin_phone=”|-19px|60px|0px|false|false” custom_margin_last_edited=”on|phone” custom_padding=”|0px||0px|false|false” link_option_url=”https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/graffiti-na-zona-portuaria\/” hover_enabled=”0″ module_alignment_tablet=”left” module_alignment_phone=”center” module_alignment_last_edited=”on|phone” border_width_all=”5px” border_color_all=”#CE3809″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
SITE<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|200|||||||” text_text_color=”#FA5A28″ text_font_size=”20px” custom_margin=”||50px|||” custom_margin_tablet=”||50px|||” custom_margin_phone=”|10px|50px|20px|false|false” custom_margin_last_edited=”on|phone” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
GRAFFITI NA ZONA PORTU\u00c1RIA<\/strong><\/p>\n [\/et_pb_text][et_pb_text content_tablet=”” content_phone=”” content_last_edited=”on|phone” _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|300|||||||” text_text_color=”#FFFFFF” width=”90%” module_alignment=”left” custom_margin=”||60px|||” custom_margin_tablet=”||60px|||” custom_margin_phone=”|0px|60px|20px|false|false” custom_margin_last_edited=”on|phone” custom_padding=”|22px|||false|false” custom_padding_tablet=”|22px|||false|false” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n O presente Projeto de Pesquisa se estrutura em torno de uma investiga\u00e7\u00e3o extensiva e cr\u00edtica, de car\u00e1ter qualitativo, que visa articular pr\u00e1ticas de arte p\u00fablica (pintura mural e graffiti) e os processos de revitaliza\u00e7\u00e3o da Zona Portu\u00e1ria do Rio de Janeiro. Lastreado em uma literatura pr\u00f3pria dos campos da arte p\u00fablica cr\u00edtica, do muralismo, da cultura hip-hop, dos estudos urbanos cr\u00edticos e da geografia urbana, o Projeto empreender\u00e1 uma reflex\u00e3o cr\u00edtica em torno da produ\u00e7\u00e3o de graffiti e de pinturas murais em ruas, pra\u00e7as e avenidas da regi\u00e3o portu\u00e1ria do Rio de Janeiro, visando investigar as condi\u00e7\u00f5es de produ\u00e7\u00e3o e de comissionamento dessas obras em suas articula\u00e7\u00f5es com os processos de redesenvolvimento urbano dos bairros da regi\u00e3o (Sa\u00fade, Gamboa e Santo Cristo). Com isso, busca-se analisar o uso dessas manifesta\u00e7\u00f5es de arte nos espa\u00e7os p\u00fablicos da regi\u00e3o pelo poder municipal, em suas parcerias com empreendimentos privados, notadamente do ramo imobili\u00e1rio, em favor da revitaliza\u00e7\u00e3o da Zona Portu\u00e1ria. O Projeto visa tamb\u00e9m avaliar\/projetar o impacto das transforma\u00e7\u00f5es urbanas e de uma nova ocupa\u00e7\u00e3o social sobre a vida dos moradores tradicionais daquela \u00e1rea da cidade, investigando o papel consignado \u00e0s artes nos processos de redesenvolvimento e de requalifica\u00e7\u00e3o urbana da Zona Portu\u00e1ria da cidade do Rio de Janeiro. Nesses estudos ser\u00e1 considerado que, por raz\u00f5es v\u00e1rias que incluem o baixo investimento demandado, os processos de embelezamento e de constru\u00e7\u00e3o de novas identidades para \u00e1reas degradadas t\u00eam inclu\u00eddo as artes como aliadas potencialmente virtuosas, que acabam por se juntar aos projetos de revitaliza\u00e7\u00e3o nas cidades contempor\u00e2neas. Este Projeto de Pesquisa d\u00e1 seguimento e aprofunda as investiga\u00e7\u00f5es em curso desde 2018 em torno das rela\u00e7\u00f5es entre arte, artistas e os processos de revitaliza\u00e7\u00e3o da Zona Portu\u00e1ria do Rio de Janeiro. Essas pesquisas t\u00eam contado com o apoio e o fomento do Conselho Nacional de Desenvolvimento Cient\u00edfico e Tecnol\u00f3gico (CNPq) e da Funda\u00e7\u00e3o Carlos Chagas Filho de Amparo \u00e0 Pesquisa do Estado do Rio de Janeiro (FAPERJ)<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|700|||||||” text_text_color=”#FFFFFF” width=”79%” custom_margin=”||23px|||” custom_margin_tablet=”||23px|||” custom_margin_phone=”||23px|||” custom_margin_last_edited=”on|phone” custom_padding=”|0px||0px|false|false” custom_padding_tablet=”|0px||0px|false|false” custom_padding_phone=”|||20px|false|false” custom_padding_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n Est\u00e9tica da gentrifica\u00e7\u00e3o: graffiti e arte mural nos projetos de revitaliza\u00e7\u00e3o da Zona Portu\u00e1ria do Rio de Janeiro<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|300|||||||” text_text_color=”#FFFFFF” width=”79%” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|phone” custom_padding=”|0px||0px|false|false” custom_padding_tablet=”|0px||0px|false|false” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n Fomento: <\/span><\/strong>CNPq (Bolsa Produtividade em Pesquisa do CNPq – N\u00edvel B)<\/span><\/p>\n Per\u00edodo: 2025-2029<\/span> <\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|700|||||||” text_text_color=”#FFFFFF” width=”79%” custom_margin=”||23px|||” custom_margin_tablet=”||23px|||” custom_margin_phone=”||23px|||” custom_margin_last_edited=”on|phone” custom_padding=”|0px||0px|false|false” custom_padding_tablet=”|0px||0px|false|false” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n \u201cEu tamb\u00e9m estou aqui!\u201d: graffiti e arte p\u00fablica nos projetos de revitaliza\u00e7\u00e3o e de reocupa\u00e7\u00e3o da Zona Portu\u00e1ria do Rio de Janeiro<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|300|||||||” text_text_color=”#FFFFFF” width=”79%” custom_padding_tablet=”” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n Fomento: <\/span><\/strong>FAPERJ (APQ1)<\/span><\/p>\n Per\u00edodo: 2024-2026<\/span> <\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|700|||||||” text_text_color=”#FFFFFF” width=”79%” custom_margin=”||23px|||” custom_padding_tablet=”” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n Graffiti e arte p\u00fablica nos projetos de revitaliza\u00e7\u00e3o da zona portu\u00e1ria do Rio de Janeiro<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|300|||||||” text_text_color=”#FFFFFF” width=”79%” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|phone” custom_padding=”|0px||0px|false|false” custom_padding_tablet=”|0px||0px|false|false” custom_padding_phone=”|||20px|false|false” custom_padding_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n Fomento: <\/span><\/strong>CNPq (Bolsa de Inicia\u00e7\u00e3o Cient\u00edfica)<\/span><\/p>\n Per\u00edodo: 2024-2025 (Conclu\u00eddo)<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|700|||||||” text_text_color=”#FFFFFF” width=”79%” custom_margin=”||23px|||” custom_margin_tablet=”||23px|||” custom_margin_phone=”||23px|||” custom_margin_last_edited=”on|phone” custom_padding=”|0px||0px|false|false” custom_padding_tablet=”|0px||0px|false|false” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n Graffiti e arte p\u00fablica nas ladeiras de Santo Cristo: a explora\u00e7\u00e3o cultural do Morro do Pinto, Rio de Janeiro<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|300|||||||” text_text_color=”#FFFFFF” width=”79%” custom_padding_tablet=”” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n Fomento: <\/span><\/strong>CNP<\/span>q (Bolsa de Inicia\u00e7\u00e3o Cient\u00edfica)<\/span><\/p>\n Per\u00edodo: 2025-2026<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|700|||||||” text_text_color=”#FFFFFF” width=”79%” custom_margin=”||23px|||” custom_padding_tablet=”” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n Est\u00e9tica da gentrifica\u00e7\u00e3o: graffiti e arte mural do projeto Rua Walls no Morro do Pinto, Zona Portu\u00e1ria do Rio de Janeiro<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|300|||||||” text_text_color=”#FFFFFF” width=”79%” custom_padding_tablet=”” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n Fomento: <\/span><\/strong>FAPERJ (Bolsa de Inicia\u00e7\u00e3o Cient\u00edfica)<\/span><\/p>\n Per\u00edodo: 2026-2027<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_image src=”http:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-content\/uploads\/sites\/250\/2026\/07\/1-1.png” title_text=”1″ _builder_version=”4.21.0″ _module_preset=”default” width=”80%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” background_color=”#000000″ custom_padding=”50px||4px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” width=”100%” module_alignment=”center” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Inter|300|||||||” text_text_color=”#FFFFFF” text_font_size=”30px” width=”100%” module_alignment=”left” global_colors_info=”{}”]<\/p>\n \u2500\u2500\u2500\u2500\u2500\u00a0 \u00a0conclu\u00eddos<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” background_color=”#000000″ custom_padding=”50px||4px|||” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” width=”100%” module_alignment=”center” custom_padding=”||9px|||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin_tablet=”” custom_margin_phone=”0px||0px||false|false” custom_margin_last_edited=”on|phone” custom_padding_tablet=”” custom_padding_phone=”0px||0px||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text content_tablet=”<\/p>\n SITE<\/p>\n ” content_phone=”<\/p>\n SITE<\/p>\n ” content_last_edited=”on|desktop” _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|600|||||||” text_text_color=”#000000″ text_font_size=”22px” background_color=”#CE3809″ width=”100%” max_width=”23%” max_width_tablet=”23%” max_width_phone=”35%” max_width_last_edited=”on|phone” module_alignment=”left” custom_margin=”|18px|60px|||” custom_margin_tablet=”|18px|60px|||” custom_margin_phone=”|-19px|60px|-12px|false|false” custom_margin_last_edited=”on|phone” custom_padding=”|0px||0px|false|false” link_option_url=”https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/graffiti-na-zona-portuaria\/” hover_enabled=”0″ module_alignment_tablet=”left” module_alignment_phone=”center” module_alignment_last_edited=”on|phone” border_width_all=”5px” border_color_all=”#CE3809″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n SITE<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|200|||||||” text_text_color=”#FA5A28″ text_font_size=”20px” custom_margin=”||50px|||” custom_margin_tablet=”||50px|||” custom_margin_phone=”|0px|50px|20px|false|false” custom_margin_last_edited=”on|phone” custom_padding=”|||0px|false|false” custom_padding_tablet=”|||0px|false|false” custom_padding_phone=”|||0px|false|false” custom_padding_last_edited=”on|desktop” hover_enabled=”0″ global_colors_info=”{}” content_last_edited=”on|phone” content_phone=”<\/p>\n GALERIA DE ARTE UFF <\/span><\/strong><\/p>\n \u00a0 \u00a0 \u00a0(1983 – 1986)<\/span><\/p>\n ” sticky_enabled=”0″ content_tablet=”<\/p>\n GALERIA DE ARTE UFF <\/span><\/strong>(1983 – 1986)<\/span><\/p>\n “]<\/p>\n GALERIA DE ARTE UFF <\/span><\/strong>(1983 – 1986)<\/span><\/p>\n [\/et_pb_text][et_pb_text content_tablet=”” content_phone=”” content_last_edited=”on|phone” _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|300|||||||” text_text_color=”#FFFFFF” width=”90%” module_alignment=”left” custom_margin=”||60px|||” custom_margin_tablet=”||60px|||” custom_margin_phone=”||60px|||” custom_margin_last_edited=”on|phone” custom_padding_tablet=”” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n O presente Projeto de Pesquisa se dedica \u00e0 investiga\u00e7\u00e3o da atua\u00e7\u00e3o da Galeria de Arte UFF em seus primeiros quatro anos de funcionamento, entre 1983 e 1986. Nesse per\u00edodo, a galeria de arte se projetou como um importante espa\u00e7o para a circula\u00e7\u00e3o da arte brasileira contempor\u00e2nea, ultrapassando, com seu desempenho, os limites da Universidade, da cidade e mesmo da regi\u00e3o metropolitana do Rio de Janeiro.<\/span><\/p>\n O reconhecimento do trabalho da galeria se materializou no Pr\u00eamio de Melhor Galeria Cultural do Estado do Rio de Janeiro, conferido pela Associa\u00e7\u00e3o Brasileira de Artistas Pl\u00e1sticos Profissionais (ABAPP) em 1984. Atrav\u00e9s de levantamento bibliogr\u00e1fico, pesquisa em arquivos e entrevistas, al\u00e9m de disponibiliza\u00e7\u00e3o em plataforma digital de seus achados e resultados, o Projeto de Pesquisa pretende impactar positivamente novas pesquisas e os debates em torno da fun\u00e7\u00e3o dos espa\u00e7os expositivos universit\u00e1rios no Brasil.<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|700|||||||” text_text_color=”#FFFFFF” width=”79%” custom_margin=”||23px|||” custom_margin_tablet=”||23px|||” custom_margin_phone=”||23px|||” custom_margin_last_edited=”on|phone” custom_padding_tablet=”” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Galeria de Arte UFF: uma experi\u00eancia de espa\u00e7o expositivo universit\u00e1rio na cidade de Niter\u00f3i (1983-1986)<\/span> <\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|300|||||||” text_text_color=”#FFFFFF” width=”79%” custom_padding_tablet=”” custom_padding_phone=”|||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Fomento: <\/span><\/strong>CNPq (Bolsa de Inicia\u00e7\u00e3o Cient\u00edfica)<\/span><\/p>\n Per\u00edodo: 2023-2024<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_image src=”http:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-content\/uploads\/sites\/250\/2026\/07\/2-4.png” title_text=”2″ _builder_version=”4.21.0″ _module_preset=”default” width=”80%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” background_color=”#000000″ custom_padding=”3px||4px|||” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” width=”100%” module_alignment=”center” custom_padding=”0px||2px|||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin_tablet=”” custom_margin_phone=”0px||0px||false|false” custom_margin_last_edited=”on|phone” custom_padding_tablet=”” custom_padding_phone=”0px||0px||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|600|||||||” text_text_color=”#000000″ text_font_size=”22px” background_color=”RGBA(255,255,255,0)” width=”100%” max_width=”23%” module_alignment=”left” custom_margin=”|18px|60px|||” custom_padding=”|19px||||” link_option_url=”https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/graffiti-na-zona-portuaria\/” border_color_all=”#CE3809″ global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|200|||||||” text_text_color=”#FA5A28″ text_font_size=”20px” custom_margin=”||50px|||” custom_margin_tablet=”||50px|||” custom_margin_phone=”||50px|||” custom_margin_last_edited=”on|phone” custom_padding_tablet=”” custom_padding_phone=”|||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n F\u00c1BRICA BHERING E A ZONA PORTU\u00c1RIA<\/span><\/strong><\/p>\n [\/et_pb_text][et_pb_text content_tablet=”” content_phone=”” content_last_edited=”on|phone” _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|300|||||||” text_text_color=”#FFFFFF” width=”90%” module_alignment=”left” custom_margin=”||60px|||” custom_margin_tablet=”||60px|||” custom_margin_phone=”||60px|||” custom_margin_last_edited=”on|phone” custom_padding_tablet=”” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n O presente projeto de pesquisa visa investigar a ocupa\u00e7\u00e3o da F\u00e1brica da Bhering, localizada em Santo Cristo, Zona Portu\u00e1ria da cidade do Rio de Janeiro, \u00e0 luz dos objetivos do Porto Maravilha, projeto de revitaliza\u00e7\u00e3o urbana em desenvolvimento pela Prefeitura da cidade. O projeto da Prefeitura tem carreado investimentos vultosos (p\u00fablicos e privados) para a regi\u00e3o, incluindo a constru\u00e7\u00e3o de equipamentos culturais, de entretenimento e de mobilidade urbana, entre os quais o Museu de Arte do Rio (MAR).<\/span> <\/span><\/p>\n Na outra ponta desse processo de (re)ocupa\u00e7\u00e3o de uma regi\u00e3o abandonada desde que mudan\u00e7as no sistema de transporte mar\u00edtimo de mercadorias tornou obsoletos seus galp\u00f5es, armaz\u00e9ns e trapiches, a experi\u00eancia da F\u00e1brica da Bhering, com uma \u201cinvas\u00e3o\u201d pacificada pelo pagamento de alugu\u00e9is pelos artistas, parece reverberar os objetivos do Museu de Arte do Rio em promover a amplia\u00e7\u00e3o das artes na regi\u00e3o, transformando-a em um arts district.<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|700|||||||” text_text_color=”#FFFFFF” width=”79%” custom_margin=”||23px|||” custom_margin_tablet=”||23px|||” custom_margin_phone=”||23px|||” custom_margin_last_edited=”on|phone” custom_padding_tablet=”” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Artes, artistas e gentrifica\u00e7\u00e3o na zona portu\u00e1ria: o transbordamento do MAR e a experi\u00eancia da F\u00e1brica Bhering<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|300|||||||” text_text_color=”#FFFFFF” width=”79%” custom_padding_tablet=”” custom_padding_phone=”|||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Fomento: <\/span><\/strong>CNPq (Bolsa de Inicia\u00e7\u00e3o Cient\u00edfica)<\/span><\/p>\n Per\u00edodo: 2022-2023<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_image src=”http:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-content\/uploads\/sites\/250\/2026\/07\/3-1.png” title_text=”3″ _builder_version=”4.21.0″ _module_preset=”default” width=”80%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” background_color=”#000000″ custom_padding=”3px||4px|||” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” width=”100%” module_alignment=”center” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin_tablet=”” custom_margin_phone=”0px||0px||false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|600|||||||” text_text_color=”#000000″ text_font_size=”22px” background_color=”RGBA(255,255,255,0)” width=”100%” max_width=”23%” module_alignment=”left” custom_margin=”|18px|60px|||” custom_padding=”|19px||||” link_option_url=”https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/graffiti-na-zona-portuaria\/” border_color_all=”#CE3809″ global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|200|||||||” text_text_color=”#FA5A28″ text_font_size=”20px” custom_margin=”||50px|||” custom_margin_tablet=”||50px|||” custom_margin_phone=”||50px|||” custom_margin_last_edited=”on|phone” custom_padding_tablet=”” custom_padding_phone=”|||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n MAR E A ZONA PORTU\u00c1RIA<\/span><\/strong> <\/span><\/p>\n [\/et_pb_text][et_pb_text content_last_edited=”off|desktop” _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|300|||||||” text_text_color=”#FFFFFF” width=”90%” module_alignment=”left” custom_margin=”||60px|||” custom_padding_tablet=”” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n O presente Projeto de Pesquisa, intitulado Pr\u00e1ticas descoloniais no Museu de Arte do Rio e sua presen\u00e7a na Zona Portu\u00e1ria: as mostras Arte Democracia Utopia – quem n\u00e3o luta t\u00e1 morto e Mulheres na Cole\u00e7\u00e3o MAR, \u00e9 um desdobramento e a continuidade das investiga\u00e7\u00f5es empreendidas no projeto Uma op\u00e7\u00e3o descolonial de museu de arte no Rio de Janeiro: a mostra A cor do Brasil no MAR, desenvolvido no \u00e2mbito do PIBIC, e se articula com o projeto de pesquisa \u00daltima sa\u00edda para o museu (des)colonial: um olhar investigativo sobre o Museu de Arte do Rio, desenvolvido com apoio do CNPq – Programa Bolsa de Produtividade em Pesquisa.<\/span> <\/span><\/p>\n O Projeto tem como ponto de reflex\u00e3o a an\u00e1lise das pol\u00edticas e pr\u00e1ticas curatoriais do Museu de Arte do Rio (MAR), articuladas com outras a\u00e7\u00f5es e atividades desenvolvidas pelo museu, que parecem apontar para tentativas de supera\u00e7\u00e3o dos modelos coloniais tradicionais dos museus de arte, de maneira que essas institui\u00e7\u00f5es promovam uma virada que as aproxime das realidades que nos rodeiam.<\/span> <\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|700|||||||” text_text_color=”#FFFFFF” width=”79%” custom_margin=”||23px|||” custom_margin_tablet=”||23px|||” custom_margin_phone=”||23px|||” custom_margin_last_edited=”on|phone” custom_padding_tablet=”” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Pr\u00e1ticas descoloniais no Museu de Arte do Rio e sua presen\u00e7a na Zona Portu\u00e1ria: as mostras “Arte Democracia Utopia – quem n\u00e3o luta t\u00e1 morto” e “Mulheres na Cole\u00e7\u00e3o MAR”<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|300|||||||” text_text_color=”#FFFFFF” width=”79%” custom_padding_tablet=”” custom_padding_phone=”|||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Fomento: <\/span><\/strong>CNPq (Bolsa de Inicia\u00e7\u00e3o Cient\u00edfica)<\/span><\/p>\n Per\u00edodo: 2021-2022<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_image src=”http:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-content\/uploads\/sites\/250\/2026\/07\/4-1.png” title_text=”4″ _builder_version=”4.21.0″ _module_preset=”default” width=”80%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” _builder_version=”4.21.0″ _module_preset=”default” background_color=”#000000″ custom_padding=”3px||50px||false|false” custom_padding_tablet=”3px||50px||false|false” custom_padding_phone=”3px||50px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” width=”100%” module_alignment=”center” custom_padding=”0px||2px|||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin_tablet=”” custom_margin_phone=”0px||0px||false|false” custom_margin_last_edited=”on|phone” custom_padding_tablet=”” custom_padding_phone=”0px||0px||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|600|||||||” text_text_color=”#000000″ text_font_size=”22px” background_color=”RGBA(255,255,255,0)” width=”100%” max_width=”23%” module_alignment=”left” custom_margin=”|18px|60px|||” custom_padding=”|19px||||” link_option_url=”https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/graffiti-na-zona-portuaria\/” border_color_all=”#CE3809″ global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|200|||||||” text_text_color=”#FA5A28″ text_font_size=”20px” custom_margin=”||50px|||” custom_margin_tablet=”||50px|||” custom_margin_phone=”||0px||false|false” custom_margin_last_edited=”on|phone” custom_padding_tablet=”” custom_padding_phone=”0px||0px||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_text][et_pb_text content_last_edited=”off|desktop” _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|300|||||||” text_text_color=”#FFFFFF” width=”90%” module_alignment=”left” custom_margin=”||60px|||” custom_padding_tablet=”” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n O Projeto de Pesquisa, intitulado “Uma op\u00e7\u00e3o descolonial de museu de arte no Rio de Janeiro: a mostra ‘A cor do Brasil’ no MAR”, a ser desenvolvido no \u00e2mbito do PIBIC 2019-2020, se articula com o projeto de pesquisa “\u00daltima sa\u00edda para o museu (des)colonial: um olhar investigativo sobre o Museu de Arte do Rio”, desenvolvido junto ao Programa Bolsa de Produtividade em Pesquisa do CNPq. O Projeto tem como ponto de reflex\u00e3o a an\u00e1lise das pol\u00edticas e pr\u00e1ticas curatoriais do Museu de Arte do Rio (MAR), articuladas com outras a\u00e7\u00f5es e atividades desenvolvidas pelo museu. Para levar adiante esta investiga\u00e7\u00e3o, teremos como foco central do projeto a mostra “A cor do Brasil”, realizada no Museu de Arte do Rio (MAR) no per\u00edodo de 02\/8\/2016 a 15\/1\/2017, com curadoria de Paulo Herkenhoff e Marcelo Campos.<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|700|||||||” text_text_color=”#FFFFFF” width=”79%” custom_margin=”||23px|||” custom_padding_tablet=”” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Uma op\u00e7\u00e3o descolonial de museu de arte no Rio de Janeiro: a mostra “A cor do Brasil” no MAR<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|300|||||||” text_text_color=”#FFFFFF” width=”79%” custom_padding_tablet=”” custom_padding_phone=”|||20px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Fomento: <\/span><\/strong>CNPq (Bolsa de Inicia\u00e7\u00e3o Cient\u00edfica)<\/span><\/p>\n Per\u00edodo: 2019-2020<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_text][et_pb_image src=”http:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-content\/uploads\/sites\/250\/2026\/07\/5-1.png” title_text=”5″ _builder_version=”4.21.0″ _module_preset=”default” width=”80%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" PROJETOS DE PESQUISA\u2500\u2500\u2500\u2500\u2500\u00a0 \u00a0em andamentoSITEGRAFFITI NA ZONA PORTU\u00c1RIAO presente Projeto de Pesquisa se estrutura em torno de uma investiga\u00e7\u00e3o extensiva e cr\u00edtica, de car\u00e1ter qualitativo, que visa articular pr\u00e1ticas de arte p\u00fablica (pintura mural e graffiti) e os processos de revitaliza\u00e7\u00e3o da Zona Portu\u00e1ria do Rio de Janeiro. Lastreado em uma literatura pr\u00f3pria dos campos […]<\/p>\n","protected":false},"author":289,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-1418","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-json\/wp\/v2\/pages\/1418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-json\/wp\/v2\/users\/289"}],"replies":[{"embeddable":true,"href":"https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-json\/wp\/v2\/comments?post=1418"}],"version-history":[{"count":37,"href":"https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-json\/wp\/v2\/pages\/1418\/revisions"}],"predecessor-version":[{"id":1978,"href":"https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-json\/wp\/v2\/pages\/1418\/revisions\/1978"}],"wp:attachment":[{"href":"https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-json\/wp\/v2\/media?parent=1418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-json\/wp\/v2\/categories?post=1418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.professores.uff.br\/luizsergiodeoliveira\/wp-json\/wp\/v2\/tags?post=1418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}