{"id":273220,"date":"2013-11-07T11:48:00","date_gmt":"2013-11-07T13:48:00","guid":{"rendered":"http:\/\/www.professores.uff.br\/martharibeiro\/?p=273220"},"modified":"2025-08-19T10:28:57","modified_gmt":"2025-08-19T13:28:57","slug":"improviso","status":"publish","type":"post","link":"https:\/\/www.professores.uff.br\/martharibeiro\/2013\/11\/07\/improviso\/","title":{"rendered":"Improviso – Trilogia Pirandello – Estudo II"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” custom_padding=”0px||54px|||” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”http:\/\/www.professores.uff.br\/martharibeiro\/wp-content\/uploads\/sites\/62\/2025\/06\/improviso-cartaz.jpeg” title_text=”improviso-cartaz” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

A pesquisa para\u00a0esta nova\u00a0experi\u00eancia est\u00e9tica buscou no grotesco sua inspira\u00e7\u00e3o. Os atores\/performers do Projeto Pirandello foram buscar na contradi\u00e7\u00e3o, no\u00a0paradoxo, na deforma\u00e7\u00e3o, no escatol\u00f3gico, no terror\u00a0e na decad\u00eancia\u00a0dos corpos as fontes para criar sua partitura f\u00edsica e gestual. Refutando a l\u00f3gica da apar\u00eancia, a investiga\u00e7\u00e3o grotesca pretende fazer ver que nem toda apar\u00eancia \u00e9 banal. A problem\u00e1tica do ser e da apar\u00eancia,\u00a0cis\u00e3o inconsili\u00e1vel, est\u00e1 na ra\u00edz da dramaturgia pirandelliana. O que se realizou neste estudo foi dar a ver\u00a0a pot\u00eancia e as possibilidades do grotesco presentes\u00a0em \u201cQuesta sera si recita a soggetto\u201d, mergulhando mais a\u00a0fundo na ideia de caos e de desorienta\u00e7\u00e3o a que estamos submetidos. E\u00a0a partir do novo roteiro criado, fragmentar ainda mais o texto pirandelliano, eliminando todo e qualquer direcionamento narrativo que invista na reflex\u00e3o, para enfim permitir o nascimento de um mundo verdadeiramente grotesco.<\/span><\/p>\n

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O ESTUDO PERFORMANCE II, do Projeto Pirandello Contempor\u00e2neo da UFF, se inspira livremente na pe\u00e7a \u201cQuesta sera si recita a soggetto\u201d, a partir da est\u00e9tica do Grotesco.<\/span><\/p>\n

Nesta experi\u00eancia, os performers\u00a0questionam as fronteiras entre\u00a0o humano e o inumano, investigando um importante elemento da dramaturgia de Pirandello : o ci\u00fame.<\/p>\n

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O ESTUDO PERFORMANCE II, do Projeto Pirandello Contempor\u00e2neo da UFF, se inspira livremente na pe\u00e7a \u201cQuesta sera si recita a soggetto\u201d, a partir da est\u00e9tica do Grotesco.<\/span><\/p>\n

Nesta experi\u00eancia, os performers\u00a0questionam as fronteiras entre\u00a0o humano e o inumano, investigando um importante elemento da dramaturgia de Pirandello : o ci\u00fame.<\/p>\n

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    A pesquisa para\u00a0esta nova\u00a0experi\u00eancia est\u00e9tica buscou no grotesco sua inspira\u00e7\u00e3o. Os atores\/performers do Projeto Pirandello foram buscar na contradi\u00e7\u00e3o, no\u00a0paradoxo, na deforma\u00e7\u00e3o, no escatol\u00f3gico, no terror\u00a0e na decad\u00eancia\u00a0dos corpos as fontes para criar sua partitura f\u00edsica e gestual. Refutando a l\u00f3gica da apar\u00eancia, a investiga\u00e7\u00e3o grotesca pretende fazer ver que nem toda apar\u00eancia \u00e9 banal. […]<\/p>\n","protected":false},"author":65,"featured_media":273224,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n

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