{"id":273287,"date":"2014-11-24T12:42:00","date_gmt":"2014-11-24T14:42:00","guid":{"rendered":"http:\/\/www.professores.uff.br\/martharibeiro\/?p=273287"},"modified":"2025-10-18T17:28:17","modified_gmt":"2025-10-18T20:28:17","slug":"mas-afinal-quantos-somos-nos","status":"publish","type":"post","link":"https:\/\/www.professores.uff.br\/martharibeiro\/2014\/11\/24\/mas-afinal-quantos-somos-nos\/","title":{"rendered":"Mas Afinal, Quantos Somos N\u00f3s?"},"content":{"rendered":"\n[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;1px|||||&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;http:\/\/www.professores.uff.br\/martharibeiro\/wp-content\/uploads\/sites\/62\/2025\/06\/FB_IMG_1430272000383.jpg&#8221; title_text=&#8221;FB_IMG_1430272000383&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<p><strong>Dire\u00e7\u00e3o e Dramaturgia:<\/strong> Martha Ribeiro.<\/p>\n<ul>\n<li><span style=\"font-size: small\">Teatro Popular Oscar Niemeyer &#8211; 25, 26 de Novembro e 02 de Dezembro de 2015<\/span><\/li>\n<li><span style=\"font-size: small\">Teatro da UFF &#8211; 1, 2, 3, 8, 9 e 10 de Maio de 2015<\/span><\/li>\n<\/ul>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<p style=\"text-align: justify\">Neste espet\u00e1culo-paisagem investe-se na metamorfose, muito mais do que na a\u00e7\u00e3o narrativa fabulesca. Combinando m\u00faltiplas realidades, fluxos de energia, imagens-virtuais com a presen\u00e7a viva dos corpos dos performers e a poesia de Pirandello, cria-se um mundo fantasm\u00e1tico, atravessado por linguagens\/teatralidades heterog\u00eaneas. Um teatro do movimento. Na tentativa proposital de embaralhamento entre o real e o virtual (corpos reais em cena e imagens projetadas), afirma-se a impossibilidade de separa\u00e7\u00e3o entre corpo-real e corpo-ficcional, provocando a instabilidade entre essas duas ordens, que na cena entram em colapso.<br \/>Na concep\u00e7\u00e3o do texto\/filme\/paisagem de \u201cMAS AFINAL, QUANTOS SOMOS N\u00d3S?\u201d criamos cinco paisagens dramat\u00fargicas a partir de v\u00e1rios procedimentos: amputa\u00e7\u00e3o de elementos textuais, cria\u00e7\u00e3o de outras personagens-presen\u00e7as, embaralhamento de fragmentos pirandellianos, repeti\u00e7\u00e3o de certas passagens textuais \u00e0 exaust\u00e3o.<\/p>[\/et_pb_text][et_pb_image src=&#8221;http:\/\/www.professores.uff.br\/martharibeiro\/wp-content\/uploads\/sites\/62\/2025\/06\/6.png&#8221; title_text=&#8221;6&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<p style=\"text-align: justify\">O principal objetivo da pesquisa \u00e9 refletir sobre o estado de presen\u00e7a de corpos reais em situa\u00e7\u00e3o de representa\u00e7\u00e3o. Centrifugando elementos, criando fissuras e espa\u00e7amentos a partir da \u00eanfase nos corpos reais dos atores, propondo enfim um embaralhamento proposital entre presen\u00e7a e representa\u00e7\u00e3o, acentuando a instabilidade entre essas duas ordens.<br \/><br \/><\/p>[\/et_pb_text][et_pb_image src=&#8221;http:\/\/www.professores.uff.br\/martharibeiro\/wp-content\/uploads\/sites\/62\/2025\/06\/image_2025-06-22_13-19-16.png&#8221; title_text=&#8221;image_2025-06-22_13-19-16&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<p style=\"text-align: justify\"><br \/>Mudando a ordem de percep\u00e7\u00e3o, na passagem entre presen\u00e7a e representa\u00e7\u00e3o, ou vice-versa, observa-se um desmoronamento das certezas, convocando o espectador a vivenciar esta instabilidade. A experimentar um estar entre a fic\u00e7\u00e3o e a fric\u00e7\u00e3o dos corpos. O corpo, sua apari\u00e7\u00e3o, articula essas duas ordens: presen\u00e7a e representa\u00e7\u00e3o, ser e parecer.<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<p style=\"text-align: justify\">Em, Mas afinal, quantos somos n\u00f3s? \u2013 espet\u00e1culo constru\u00eddo em 2014 &#8211; buscamos na interven\u00e7\u00e3o e na fric\u00e7\u00e3o de duas de suas obras \u2013 \u201cO homem da flor na boca\u201d e \u201cA sa\u00edda\u201d \u2013 dissecar as rela\u00e7\u00f5es\/representa\u00e7\u00f5es do homem sobre a morte, usando como bisturi o pensamento e a poesia pirandellianas. O uso de duas das mesmas pe\u00e7as utilizadas em \u201cFantasmas\u201d, Estudo III da Trilogia, n\u00e3o significou uma continuidade, partimos de uma proposta de cena completamente diferente, obtendo assim um resultado art\u00edstico tamb\u00e9m completamente diferente.<\/p>[\/et_pb_text][et_pb_video src=&#8221;https:\/\/www.youtube.com\/watch?v=m8opfY6VZAU&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_video][et_pb_video src=&#8221;https:\/\/www.youtube.com\/watch?v=C7CSVappdds&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; theme_builder_area=&#8221;post_content&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_video][et_pb_image src=&#8221;http:\/\/www.professores.uff.br\/martharibeiro\/wp-content\/uploads\/sites\/62\/2025\/06\/image_2025-06-22_13-18-05.png&#8221; title_text=&#8221;image_2025-06-22_13-18-05&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_image][et_pb_image src=&#8221;http:\/\/www.professores.uff.br\/martharibeiro\/wp-content\/uploads\/sites\/62\/2025\/08\/9.jpg&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; theme_builder_area=&#8221;post_content&#8221; title_text=&#8221;9&#8243; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][et_pb_image src=&#8221;http:\/\/www.professores.uff.br\/martharibeiro\/wp-content\/uploads\/sites\/62\/2025\/10\/IMG_20141109_213325.jpg&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; theme_builder_area=&#8221;post_content&#8221; title_text=&#8221;IMG_20141109_213325&#8243; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][et_pb_image src=&#8221;http:\/\/www.professores.uff.br\/martharibeiro\/wp-content\/uploads\/sites\/62\/2025\/10\/5.jpg&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; theme_builder_area=&#8221;post_content&#8221; title_text=&#8221;5&#8243; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<p><span>\r\n\t<div class=\"slideshow_container slideshow_container_style-light\" style=\"height: 200px; \" data-slideshow-id=\"274397\" data-style-name=\"style-light\" data-style-version=\"2.3.1\" >\r\n\r\n\t\t\t\t\t<div class=\"slideshow_loading_icon\"><\/div>\r\n\t\t\r\n\t\t<div class=\"slideshow_content\" style=\"display: none;\">\r\n\r\n\t\t\t<div class=\"slideshow_view\">\r\n\t\t\t\t<div class=\"slideshow_slide slideshow_slide_image\">\r\n\t\t\t\t\t\t\t\t\t\t\t<img 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role=\"button\" data-next-text=\"Pr\u00f3ximo\" style=\"display: none;\"><\/div>\r\n\r\n\t\t<div class=\"slideshow_pagination\" style=\"display: none;\" data-go-to-text=\"Ir para o slide\"><div class=\"slideshow_pagination_center\"><\/div><\/div>\r\n\r\n\t\t<!-- WordPress Slideshow Version 2.3.1 -->\r\n\r\n\t\t\t<\/div>\r\n\r\n<\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>Dire\u00e7\u00e3o e Dramaturgia: Martha Ribeiro. Teatro Popular Oscar Niemeyer &#8211; 25, 26 de Novembro e 02 de Dezembro de 2015 Teatro da UFF &#8211; 1, 2, 3, 8, 9 e 10 de Maio de 2015 Neste espet\u00e1culo-paisagem investe-se na metamorfose, muito mais do que na a\u00e7\u00e3o narrativa fabulesca. Combinando m\u00faltiplas realidades, fluxos de energia, imagens-virtuais [&hellip;]<\/p>\n","protected":false},"author":65,"featured_media":274398,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[34,11],"tags":[],"class_list":["post-273287","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-experimentos-cenicos","category-lcicc-uff"],"_links":{"self":[{"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/posts\/273287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/users\/65"}],"replies":[{"embeddable":true,"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/comments?post=273287"}],"version-history":[{"count":11,"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/posts\/273287\/revisions"}],"predecessor-version":[{"id":274902,"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/posts\/273287\/revisions\/274902"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/media\/274398"}],"wp:attachment":[{"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/media?parent=273287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/categories?post=273287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/tags?post=273287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}