{"id":273777,"date":"2015-08-02T17:11:00","date_gmt":"2015-08-02T20:11:00","guid":{"rendered":"https:\/\/www.professores.uff.br\/martharibeiro\/?p=273777"},"modified":"2025-08-18T17:30:46","modified_gmt":"2025-08-18T20:30:46","slug":"letter-to-a-man-nijinsky-e-baryshnikov-a-danca-a-lenvers-na-paisagem-otico-sonora-de-robert-wilson-2015","status":"publish","type":"post","link":"https:\/\/www.professores.uff.br\/martharibeiro\/2015\/08\/02\/letter-to-a-man-nijinsky-e-baryshnikov-a-danca-a-lenvers-na-paisagem-otico-sonora-de-robert-wilson-2015\/","title":{"rendered":"Letter to a man: Nijinsky e Baryshnikov, a dan\u00e7a \u00e0 l\u2019envers na paisagem \u00f3tico-sonora de Robert Wilson (2015)"},"content":{"rendered":"\n[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row column_structure=&#8221;1_3,2_3&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;http:\/\/www.professores.uff.br\/martharibeiro\/wp-content\/uploads\/sites\/62\/2025\/08\/cover_issue_7782_pt_BR.jpg&#8221; title_text=&#8221;cover_issue_7782_pt_BR&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;2_3&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<p><strong>Ano: <\/strong>2015;<\/p>\n<p><strong>DOI:<\/strong> <a href=\"http:\/\/dx.doi.org\/10.11606\/issn.2238-3867.v15i2p149-163\">http:\/\/dx.doi.org\/10.11606\/issn.2238-3867.v15i2p149-163<\/a><\/p>\n<p style=\"text-align: justify\"><strong>Resumo:<\/strong><\/p>\n<p style=\"text-align: justify\"><span>Ao analisar o espet\u00e1culo Letter to a man, de Robert Wilson, sobre os\u00a0di\u00e1rios de Nijinsky, investiga-se a paisagem \u00f3tico-sonora do encenador\u00a0e a dan\u00e7a fluida, sem peso, do ator e performer Mikhail Baryshnikov,\u00a0a partir dos conceitos \u201ccorpo sem \u00f3rg\u00e3os\u201d e \u201cdan\u00e7a \u00e0s avessas\u201d\u00a0de Antonin Artaud; especialmente em rela\u00e7\u00e3o aos seus \u00faltimos escritos,\u00a0em Rodez. A cena sensorial de Wilson, que propositalmente\u00a0abandona qualquer inten\u00e7\u00e3o comunicativa entre os canais visuais e\u00a0sonoros, reflete de forma potente o pensamento artaudiano, sendo\u00a0muito mais do que um teatro de imagem, como tem se referido a cr\u00edtica\u00a0at\u00e9 agora, e revela, de forma desconcertante, o parentesco entre\u00a0Nijinsky e Artaud.<\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>Ano: 2015; DOI: http:\/\/dx.doi.org\/10.11606\/issn.2238-3867.v15i2p149-163 Resumo: Ao analisar o espet\u00e1culo Letter to a man, de Robert Wilson, sobre os\u00a0di\u00e1rios de Nijinsky, investiga-se a paisagem \u00f3tico-sonora do encenador\u00a0e a dan\u00e7a fluida, sem peso, do ator e performer Mikhail Baryshnikov,\u00a0a partir dos conceitos \u201ccorpo sem \u00f3rg\u00e3os\u201d e \u201cdan\u00e7a \u00e0s avessas\u201d\u00a0de Antonin Artaud; especialmente em rela\u00e7\u00e3o aos seus \u00faltimos [&hellip;]<\/p>\n","protected":false},"author":65,"featured_media":274260,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[14],"tags":[],"class_list":["post-273777","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artigos"],"_links":{"self":[{"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/posts\/273777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/users\/65"}],"replies":[{"embeddable":true,"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/comments?post=273777"}],"version-history":[{"count":7,"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/posts\/273777\/revisions"}],"predecessor-version":[{"id":274262,"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/posts\/273777\/revisions\/274262"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/media\/274260"}],"wp:attachment":[{"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/media?parent=273777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/categories?post=273777"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.professores.uff.br\/martharibeiro\/wp-json\/wp\/v2\/tags?post=273777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}